Dispatches from Tokyo

September 3rd, 2010

Living in a foreign country can be overwhelming, especially if you don’t speak the language. You might miss out on a lot, especially if you’re only there for a short period of time. Which might be why, back in 2006, German artist Dirk Schwieger proposed the following to his readers while living in Tokyo: send him suggestions for places to go, people to meet, or just interesting topics to investigate, and he will go out and do it. No questions asked, and he doesn’t have to like it. Then he chronicled each “assignment” in the form of a webcomic on his blog.

In 2008 these comics were collected into a book, Moresukine: Uploaded Weekly From Tokyo. The name “Moresukine” comes from the Japanese method of pronouncing “Moleskine,” the brand of notebook the original comics were created in, which the printed book sought to emulate in its design. The book is the size and cut of a Moleskine notebook, and if not for the illustration on the blue band wrapped around the cover, it could easily be mistaken for one.

The book consists of a brief introduction and story, followed by the stories of each assignment, from fashion to fugu. He covers topics as diverse as the Studio Ghibli Museum, love hotels, and Japanese slang. Each story is short but sweet; few overstay their welcome, while some, like the entry on religion, might not be long enough. He plays with the passage of time on a few assignments; the rooftop roller coaster entry tells the story of riding the roller coaster while simultaneously recounting the events leading up to that ride. The gender entry is actually a fold-out page; a series of random, yet interconnected thoughts are spread across a sheet two pages wide and two pages tall. It can be confusing, but greatly satisfying once all the pieces fall into place.

As all of the main Moresukine strips have previously appeared on the web, Schwieger attempts to sweeten the pot by offering bonus material in the published book.  The last section consists of a series of strips created by other artists, chronicling their responses to a challenge issued by Schweiger: talk to a Japanese person and write a strip about it. The selection of artists is mostly European, with a few from Canada and the United States. Some of the choices are rather… interesting, including Steve Havelka of Pokey the Penguin! and Ryan North of Dinosaur Comics. These two are not what you think of when you talk about “artistic” or “worldly” comics, but they produce interesting and entertaining results nonetheless. My favorite was the story by Monsieur le Chien, who took the time out to draw a strip chronicling not only his search for and encounter with a Japanese person, but also his previous thoughts on the Japanese (and also stereotypes of Frenchmen driving through the countryside in a Citroen Chevaux 2).

Moresukine is a quick read that can be confusing at times, but it provides an interesting and non-judgmental look at the culture of Japan through the eyes of a foreigner, all while not being afraid to experiment with the layout of a traditional comic.

Moresukine: Uploaded Weekly From Tokyo
written and illustrated by Dirk Schwieger
published by NBM Publishing (New York, 2008)
ISBN 978-1-56163-537-5

Delicious Seoul Food

September 2nd, 2010

Sometimes it’s good to have fun with your food. Well, as long as that fun doesn’t involve permanent sauce stains on your favorite shirt. For a less sticky sort of fun, Daniel Grey of Seoul Eats has decided to mix things up a little by doing the occasional photo-comic about some of his food adventures.

Using programs like Comic Life, Daniel has produced a smattering of comics showcasing a few places in Seoul. His are more gag-based than other food photo-comics I’ve posted about, but they’re still informational, letting readers know about these places and giving them a peek at the food.

If there is a third comic (as the title of the BBQ one would seem to indicate) I haven’t been able to find it. However, it is worth noting that Dan Grey is apparently working on a government-commissioned comic about how to eat Korean food, intended to be distributed globally so we can all reap the benefits.

True Tales of Wolves and Bees

September 1st, 2010

Unlike commercial broadcasters, the affiliates of PBS have a more community-oriented purpose in mind, using the power of television to educate and enlighten their viewers. Recognizing the power of images to educate, some have even chosen to supplement their content with another visual medium: comics.

The makers of the science program Nature have created a special comic book to enhance and expand upon some of the concepts introduced in a few of their episodes, namely “Silence of the Bees,” “Valley of the Wolves,” and “The Beauty of Ugly.” Some of the segments in the book are more factoid-based, while others, like the wolves story and the second bees story, convey narratives with an underlying message.

The comic isn’t some generic product of an anonymous list of contributors, either. Mark Evanier, R. Kikuo Johnson, and Rick Veitch all perform writing and/or art duties, with even Todd Klein stepping in for lettering on two of the stories. This project wasn’t an afterthought; it’s serious business.

Though available on the website as a freely downloadable PDF, the quality is poor; if an educator wants to use this book to supplement their own lessons, they should order copies direct from WNET—the books are free of charge.

Bluewater in Hot Water?

August 31st, 2010

Bluewater Productions, the publisher of biographical comics starring political figures like Barack Obama and pop culture icons like Oprah Winfrey, has found itself in a spot of trouble after attorney Kenneth Feinswog has issued them cease-and-desist letters on behalf of his clients Lady Gaga and Justin Bieber. The charge? That they infringe on intellectual property and likeness rights.

Back in the ’90s Feinswog sued Revolutionary Comics over their New Kids on the Block and Mötley Crüe biographical comics but lost on the grounds that like unauthorized biographies in prose form, biographical comics were protected by the first amendment. That’s the reason Feinswog has chosen to go after them on likeness rights. However, Bluewater publisher Darren G. Davis told MTV News:

“We are 100% within our First Amendment rights. [...] We knew our rights on this before we jumped into the biography world. These are 100% biographies on their lives.”

Though I am not myself a lawyer, I did attend a intellectual property panel at New York Comic Con in 2006 and I remember one of the panelists, a lawyer specializing in IP, making that part clear: as long as you create (or license) the images yourself, you can use celebrity images as part of a biography on them. Of course, that might be another issue that comes up, given that Bluewater likes to license art from outside artists, art that may or may not be original in itself, as in the case of this drawing that may have been based on another artist’s photo.

Despite the legal problems, Bluewater is not deterred from publishing more comics in their “FAME” line; they’re doing a comic about the cast of Glee, the Kirsten Stewart comic sold out in one day, and FAME: Lady Gaga is going to a third printing with a new cover, in addition to a sequel on the way.

(via Bleeding Cool)

To the Moon and Back

August 31st, 2010

Some people, despite all evidence to the contrary, will still believe what they believe. That includes conspiracies, usually involving the government in way, like 9/11 or the Kennedy assassination. Another favorite of conspiracy theorists is the moon landing—forty-one years later, some people maintain that the entire thing was a hoax, filmed on some sound stage in Hollywood.

But as Darryl Cunningham, author of Psychiatric Tales, asserts, these claims are easily refuted. And then he clearly lays it out in comic format, using photography and his unique art style to create a comic that is simple to follow.

One of the things I appreciated was how he indicates who is talking—him or the conspiracy theorists—via the background color of the caption, using a lighter azure for the theorist questions and a darker slate blue for his answers.

The moon landing isn’t Cunningham’s first or only target; you can also read his investigations of homeopathy and Dr. Andrew Wakefield (source of most of the vaccine-autism controversy). All of these are intended as chapters of an ongoing book about science, so there will definitely be more, and most likely will appear in an eventual collection.

I Cast Lightning Bolt

August 30th, 2010

LARP (also known as “larping”) is a very misunderstood activity; most people don’t even know that it’s an acronym for “Live Action Role Playing,” much less that it’s not a bunch of nerds in bad costumes running around public parks with a tenuous grasp of reality. Well, that it’s not JUST that.

In an attempt to educate, as well as exercise his illustration skills, Nick Edwards put together a LARP guide book that touches on the basics of  larping—genres, costumes, weapons, why people do it, the dangers, and relationship dynamics. The comic doesn’t go into the history of LARP too much, or really argue for it as a legitimate activity, leaving that to a brief infodump on the first page; instead the intended audience is people who are looking to join a LARP game. The most useful part is the “dos and don’ts” section, which clearly and humorously lays out what you should and shouldn’t do in order to make the LARP experience enjoyable to everyone.

However, my favorite section is probably the “dangers” page, because it doesn’t use words to explain, letting the images do all the work in showcasing some of the common problems.

I larped back in high school, and let me just say this: YEP.

Understanding Media Through Comics

August 27th, 2010

It’s no secret that we live in a media-rich environment, much richer than the world twenty, forty, or seventy years ago. We live in a world where people can store entire libraries in their pocket and have television programs sent to their cell phones. But it doesn’t feel like we’ve done much to teach kids how to deal with this onslaught of information. Oh, we advise them to keep their personal info private and not put anything embarrassing on the Internet lest it come back to haunt them, but in terms of sorting through sources and looking at things with a critical eye… it seems the only difference between then and now is that instead of copying information out of a printed encyclopedia, they’re copying it from Wikipedia.


Media Meltdown by Liam O’Donnell and Mike Deas seeks to change that by introducing the concept of media literacy to kids by putting it in an easy-to-digest form: a graphic novel. For most, the concepts in this book are things they’ll never hear about until college, and that’s only if they major in the right subjects, like communications. But with media forming such an integral and increasing part in our lives, it’s important to have the tools to sort through it all, as this book both illustrates and educates.

The story revolves around a group of kids in a small town—Bounce, Pema, and Jagroop—the latter of which lives on a farm in danger of being sold to a developer. After the barn on Jagroop’s parent’s property nearly burns down, the kids suspect the developer is behind the crime, but can’t find a way to get their message through to anyone who can help them. Via Pema’s older sister Nima’s internship at the local TV station, they learn about all the pitfalls that await any message attempting  to be broadcast—especially when a major advertiser is the aforementioned developer.

The narrative flows from topic to topic seamlessly, talking about the general concept of media literacy, behind the scenes at a TV station, filters, advertising, media consolidation, social media, the components of a film script, and even the types of shots used in a film and how they’re used. The kids are likable, smart but flawed. The book is reminiscent of lots of kids’ chapter book series, though less Hardy Boys and more Baby-Sitters Club, at least in plot structure and characterization. Despite my description though, it should be noted that this is a gender-neutral story, to be enjoyed by both girls and boys. It’s also somewhat age neutral too—even if the protagonists are a bunch of kids, the lessons imparted are made for anyone navigating today’s complicated media landscape, and this would be a welcome addition to any college media studies class.

Part of the book’s plot revolves around the Media Meltdown website, which exists in our world, but mostly as a tool to promote the book and media literacy education. The site includes tools for educators, suggestions for activities, and some online games, including a comic maker that allows visitors to make four-panel strips featuring characters and backgrounds from the book.

Media Meltdown
written by Liam O’Donnell
illustrated by Mike Deas
published by Orca Book Publishers (Victoria, 2009)
ISBN 978-1-55469-065-7

Media Meltdown is the fourth book in the Graphic Guide Adventure series; other installments include:

He Has a PHD at Attending Comic-Con

August 26th, 2010

Going with the Comic-Con theme one more time, we turn to Jorge Cham and PHD Comics, his thrice-weekly web comic all about life in grad school. Last year, Jorge had the pleasure of attending San Diego Comic-Con for the first time, both as an artist and as a student. To honor this year’s SDCC, Jorge decided to chronicle his experience at last year’s show as a comic.

Through this three part comic, readers get to learn more about Comic-Con, and some of the panels that make up its scheduling block.  For instance, I had no idea that the Comics Arts Conference portion of the con even existed, and I’ve been there twice.  The CAC is meant for students and educators to present lectures and sessions based around comics—comic art, characters, readers and so on.  Of course, it’s open to comic book professionals as well, so that they can share their experiences and stories only they could pass along.

At Comic-Con, Jorge learned that there are plenty of students and educators that attend Comic-Con, not only for the CAC, but also as a way to interact with their peers and to escape college, work, and life for a while. Even as SDCC gets bigger and bigger, it is still a way for comic fans to socialize with friends and strangers that share common interests, and maybe even start some lifelong relationships to be rekindled each year at the next convention.

And yes, even at an academic panel, geeks remain geeks. I mean come on, it’s Nerd Prom! Get your cosplay on and your notebook in hand and take some notes, and make the con your own. If you’re more of an academic, do the academic thing. You like movies? Do movies (don’t stab anybody over a seat, though)! TV, comics, video games? Covered. If you need help figuring out how a convention works for you, take this and the other comics as examples, and roll with it.

Cooking by Comic

August 26th, 2010

Out of all the available types of how-to manuals, cookbooks are probably the ones that people have the most experience with, but the majority of cookbooks published in the past do not offer step-by-step instructions with photographic accompaniment; instead they are merely pages of recipes with the occasional enticing photo.

As few as photographic cookbooks might be, there are even fewer actual cookbook comics, but a number of people have stepped up to the challenge regardless. Now you can try your hand at a number of recipes, lovingly rendered or photographed to guide the reader through every step of the process.

Lucy Knisley is currently working on Relish, a collection of “stories, histories and recipes of food, all inspired by growing up with a chef for a mom,” due out from First Second in “a couple years.” Until then, you can enjoy her recipes for summer pickles and chai tea syrup.

Other recipe comics include:

And though it’s not a webcomic nor a specific cooking comic, let’s not forget that in volume 2 of Scott Pilgrim by Brian Lee O’Malley, Stephen Stills shows us how to make vegan shepherd’s pie. Daisy Edwards followed this advice, posting the scanned pages from the comic along with her own photos of the process. I once did something similar, using the description posted in volume 14 of xxxHoLiC by CLAMP to make potato-nishigori (read right-to-left):

Finally there’s Cheap Thrills Cuisine, a weekly syndicated strip by Thach Bui and Bill Lombardo. Running since 1993, the strip illustrates recipes as diverse as Cajun roast chicken and Tuscan bean salad, and the archive can be viewed on Comics.com as far back as January 2000.

It Would Be Ironic If This Post Contained Bad Grammar

August 25th, 2010

Good grammar is a rare and delicate creature on the Internet—hard to find, misunderstood, and readily dismissed by the masses. And should you actually dare to correct someone’s terrible spelling or punctuation, you may end up the one under attack, called “elitist” and in extreme cases, a “grammar nazi.”

You’re far from alone. Matthew Inman of The Oatmeal is sick of all the bad grammar out there as well, and he’s found a way to address this pressing issue in a light and informative manner, using comics.

He illustrates when to use i.e. in a sentence, the three common uses of ironyten words you need to stop misspelling, and how to use an apostrophe; this phrase exists merely to demonstrate the proper use of semicolons.

Once you’ve mastered the basics of grammar, The Oatmeal offers a few other informative cartoons for your perusal:

The site is a perfect example of using humor to educate—though, I would think twice before taking his word on why bacon is better than true love.