Author Archive

The Secret Ingredient is Mustache Hairs

Thursday, March 17th, 2011

It’s time to head back to simpler times in the DC Universe. Back before Ollie Queen was divorced, living behind prison bars after killing a villain. Back when Roy Harper still had both arms and had yet to hug a cat, believing it was his dead daughter while he was high on drugs. Back before Star City had its own Central Park in the shape of a star. The memories. And yes, I am well aware that the geek scale just went over 9,000 there. To bring us back down to Earth, have a chili recipe.

My mouth, it burns! Ollie’s Chili has appeared many times over the years. Interestingly enough, as is pointed out in this post on the Comic Book Resources forums, it first showed up in the same issue of Green Arrow where Speedy was revealed to have a drug addiction back in the ’70s. Since then it has become a recurring gag and eventually received a complete recipe printed in Green Arrow Secret Files & Origins #1. It appears to be hot enough to melt metal and yet I am still tempted to make a batch. Does that make me a masochist? Green Arrow also appears to have shown his culinary chops at least one other time in the pages of DC Comics. This was years earlier when they decided to put out a cookbook for some reason. I am still unsure what the market is for such a thing. Still, I give you “My Secret Pizza”:

The secret is that it’s barely a pizza. More like a pita pocket. Either way, I hear Green Arrow caters weddings and Bar Mitzvahs in his spare time.

Cap Does Suicide Prevention

Monday, March 14th, 2011

Continuing off of their previous effort where Spider-Man helps New Yorkers get a job in these tough economic times, Marvel is now handling an issue that exists independent of the economy, education, or politics. That issue is suicide—specifically teen suicide. Teen suicide has been in the news in recent months as a number of students, both gay and straight, took their lives for a variety of reasons. Sometimes it is bullying, depression, trouble at home, lack of friends, a combination of these three, or something else (which may not be readily apparent). So Marvel Comics put out a Captain America comic to try and put the issue out there, and perhaps get people considering suicide to look for help.

Captain America: A Little Help is an 11-page story written by psychologist Tim Ursiny and penciled by Nick Dragotta. The comic is mostly wordless but tells the tale of a teen named Zach who is dealing with some major issues. While we do not get the full story, his mother is dating a new guy who may or may not be the one. Zach also recently went through a breakup with his girlfriend and is not handling it very well. With no one around to talk to, he decides to head to the roof and jump. Luckily, Captain America provides a good distraction as a fight begins on the adjacent rooftop between him and some nondescript terrorists with giant mechs.

When Cap tries to battle one of the giant mechs his mighty shield goes flying across the street to Zach’s rooftop. At a moment’s notice, Zach flings the shield back to Captain America and assists in the victory.

In return, Zach receives a thumbs up and a new lease on life. He immediately returns inside, heads to the Yellow Pages and calls the Suicide Prevention Hotline to get some help. What struck me about this issue was the art did a wonderful job of telling the story it needed to tell. Even on the iOS version there was a story flow that gave you enough of what was going on where words were indeed unnecessary. Captain America: A Little Help is available for free on Marvel’s iOS app as well as on Marvel.com. It also appears in I Am An Avenger #5, still available for purchase in local comic shops.

With Great Power Comes Great Unemployment

Wednesday, December 15th, 2010

A few weeks back, Marvel announced a partnership with New York City to promote unemployment resources. Their collaboration began with Spider-Man: You’re Hired, a free comic book released on Marvel’s Mobile App and in the November 18th edition of the New York Daily News. As it is now December, your best bet is to read the comic using the app or hit eBay if you’d prefer a hard copy.

It's a shame he can't put Spidey on the resume... The issue begins with Peter Parker and Aunt May on the subway as Pete begins his job search after J. Jonah Jameson gave him the boot. The book is deliberately vague about this to try and make it relevant to current continuity while still being accessible to the everyman. In the Marvel Universe they might have Obama as President, but local politicians won’t necessarily reflect to real life—J. Jonah Jameson is the current mayor of NYC in the comics. Heck, Peter was fired for doctoring a photo of J.J. beating the pants off of a super-villain to make Jameson look good; that’s a bit of trivia normal people don’t care about. Instead of Marvel’s mayor we get Mayor Bloomberg, who happens to show up on the very train the Parkers are riding on (coincidence of coincidences)!

Here is where the issue really starts going into advertisement mode. Bloomberg has a few ideas for Peter’s job search; most of them revolve around Workforce1, New York’s free workforce placement and training centers. They’re available throughout the five boroughs, which helps since the Parkers live in Queens. Two pages after getting off the subway, Peter winds up having to sneak away for a quick change, as The Vulture is running away with a load of stolen money.

Spidey makes short work out of the flying villain and returns to Bloomberg, only to then be called away to assist Iron Man in fighting a giant mechanical dinosaur. Creative, I’ll give them that. By the time this is all over, Mayor Bloomberg has given Aunt May all the information Peter will need. Oh, and Bloomberg either figured out Peter is Spider-Man or is simply playing mind games with him. Either way, Peter spends about three minutes combined with the Mayor and the comic is over. It’s a silly little romp with a giant dinosaur but it does get its message through pretty well. Warren Simons is the writer, which is, as far as I know, his first writing gig. He’s worked as an editor for Marvel in the past, so that does count partially as writing. On the art side is Todd Nauck, one of my favorites. He worked on Friendly Neighborhood Spider-Man with Peter David and drew Obama when he appeared in Amazing Spider-Man so good choice there to draw Mike Bloomberg’s comic book alter-ego.

I've seen the parrots before.  They're cool.

Would I recommend this to someone looking to get a job in New York City? Sure. It gives some good tips and isn’t difficult to flip through if you have an iPod or iPhone. Plus, the price point of “free” is always good. I’ll just make sure to leave out the fact that Peter Parker is already no longer jobless in the Marvel Universe and that he got the job through partial nepotism, not Workforce1. Oh well.

Clinton and Palin: Part Deux

Tuesday, December 14th, 2010

Bluewater Productions started their Female Force line in late 2008 with biographies of two women who were very much in the public eye at the time: Sarah Palin and Hillary Rodham Clinton. As you’re probably aware, their stars haven’t faded since then, and now Bluewater has announced a pair of follow up releases to illuminate their recent exploits.

Take 2 of these and call Palin in the morning.Hillary Second Comic

Out first is Female Force Sarah Palin: Take 2, written by Dan Rafter with art by Nathan Carson, focusing on Palin’s life post-potential VP. This will include her job with FOX News, the Tea Party speeches, her reality show Sarah Palin’s Alaska, and of course, her presidential aspirations for 2012. As you can see by the cover, Bluewater is fully embracing the discomfort both Democrats and Republicans have felt at times thanks to Palin’s actions and words.

As an example, the Bluewater comic references the speech in which Palin had jotted notes on her palm. Her critics savaged her. But Palin, much like Ronald Reagan did throughout his political career, used humor to turn a potential mistake into a victory when she showed up at a later speech with the words “Hi, Mom” written on her palm.

As for Hillary Clinton, her comic lies outside the Female Force line. Writer Jerome Maida and artist Laura Guzzo present Political Power: Hillary Clinton #1, focusing on Clinton’s time after the election, including her position as President Obama’s Secretary of State. Of course, they also hint at her running for President in 2012 as well. The Palin comic is scheduled for release in January, while Hillary Clinton gets hers in March. Both issues will be 32 pages and retail at $3.99. Will I be writing a post about Palin and Clinton’s third Bluewater comic books come 2012? Probably.

Don’t Try To Cross King Con

Thursday, November 11th, 2010

This past weekend was the second annual King Con, a comic convention held at the Brooklyn Lyceum. While I was unable to attend due to social obligations (and admittedly I forgot the convention was even happening), King Con wasn’t the only event going on that Sunday. As luck would have it, Sunday was also the New York City Marathon, which runs through all five boroughs for as long as it takes to cross the finish line. The Lyceum happened to be right in the path of the marathon, making it a bit difficult for con-goers to get from the subway to their final destination. Bree Rubin and her webcomic Sex, Drugs and June Cleaver did a strip displaying the Frogger-esque crossing that was necessary that day.

The convention was a four-day affair, so at least there were three unobstructed days to cross the street like a normal human being. Still, I hope that most of the attendees managed to enjoy their unexpected exercise.

(via Jimmy’s Juke Joint)

Cornish Love

Thursday, October 28th, 2010

As we approach Thanksgiving, cooking bird is on a bunch of people’s minds. Tonight, we turn to one of the birds you may have not tried before: Cornish hen. It’s like the second cousin of chicken, and as the webcomic Little Tales (written and drawn by a girl whose real name is actually Genesis) points out, you can do a lot with some simple ingredients to make a hen that’s moist, juicy and succulent.

The recipe is pretty straightforward, so even a novice cook like myself couldn’t mess this one up—just add salt, pepper, lemon, and paprika, and there you are. Even better, Cornish hen is a meal that sounds exotic enough to impress a date. The strip suggests serving one of your favorite sides with the hen, but why not try something a bit different? The Design Files features a few pages from the Australian magazine Tango, including a recipe for a vegetable dish that could work as a full meal or a side dish, depending on your preference.

Roasted tomatoes, garlic, wilted spinach, leeks, wine, butter, Parmesan cheese make this quite the snappy dish for a lover or loved one. The vegetables are quite hardy, but use portion control here to ensure you can both have seconds if you’d like. Put this set of recipes in your repertoire for when you really need to impress, and you might leave your lady speechless after eating such a decadent meal.

Iron Bryant and the BasketBrawlers

Tuesday, October 26th, 2010

Tonight the NBA begins its brand new season as the Miami Heat, now with Lebron James in their corner, take on last year’s Eastern Conference Champions, the Boston Celtics. To commemorate the league’s return, ESPN Magazine has teamed with Marvel Comics to produce images of their best players in superhero guises. The talent inside the issue includes Marvel artists Salvador Larocca (Iron Man), Greg Horn (Ms. Marvel), Kyle Baker (Deadpool MAX) and even Marvel Editor-in-Chief, Joe Quesada.

They cover each team in the NBA, calling on different inspiration for each. The most obvious—my favorite of the bunch—is Lebron James inserted into the classic page from Amazing Spider-Man #50, where Peter Parker throws his Spider-Man costume in garbage. This time, Lebron does the same with his Cleveland Cavaliers jersey, much to the chagrin of every Cavaliers fan on the planet.

There’s also Michael Jordan, part owner of the Bobcats, as Nick Fury (looking way too much like Samuel L. Jackson), Mavericks’ owner Mark Cuban as Hank Pym, an adamantium-clad Yao Ming of the Rockets, along with many others living out their superhero fantasies. The issue is on sale now, so you can find it pretty much anywhere magazines are sold. For more images from inside the issue, as well as how Marvel will (or won’t) capitalize on this cross-promotion between branches of Disney, head over to Comics Should Be Good; I am also curious how Marvel will benefit from this exposure, as even though there have been numerous news articles on the subject, there has been a surprising lack of internal ads promoting the issue.

Cow and Chicken

Thursday, October 21st, 2010

Hailing from New York, I have mostly gone without the joy of Chick-fil-A. The only location in the tri-state area is in the food court of NYU, so it doesn’t really count. Luckily, there is a Chick-fil-A in the Orlando International Airport, so I’ve eaten there three or four times. Each time I was there, I was struck by images of two animals, both on opposite sides of the meat spectrum. Of course, there were chickens, as that is pretty much all Chick-fil-A serves. Then, on the counter, and on a sign or two, were cows. Yup, the chicken joint has cow mascots, a major part of their ad campaign for more than a decade. And best of all…these cows are also superheroes!

The superhero cow phenomenon began in 2004 with a series of advertisements, followed by a Supercow Calendar. Now, Chick-fil-A is releasing comic books to fully flesh out the backstory on these magnificent cows. The Grissle Missile, Cold Cuts, Smattter, deciBell, and Cowborg round out the list of titles available so far. Each comic will have a unique story, written and drawn by a different set of creators. From the previews, none of the creators appear to be names the average comic book fan would be familiar with; after the country-wide exposure these comics could bring, that may change.

Out of all the concepts, I snicker the hardest at Cold Cuts on name alone (do you think Cold Cuts makes its own ice cream when prompted?). Still looks like it should be barrels of silly fun, though. If you’re looking to support these cows in their war against being turned into burgers, head on down to the Eat Mor Chikin site. Hint: chiken is the right answer when asked. Finally, if you’re considering getting these comics during your weekend off, don’t head down to Chick-fil-A on a Sunday. Each and every location is closed on Sundays, and have been since the chain opened back in 1986. Sorry!

(via Comics Alliance)

Captain Free Enterprise, How Do I Make A Comic?

Wednesday, October 13th, 2010

The 1970s were a simpler time for comic books; before digital coloring, Internet message boards and digital/print simultaneous release, there was just writing, drawing, printing, and distribution. This allowed independent comic creators to put their content out into the marketplace, even before comic shops were the normal place to stop to pick up your weeklies. Still, you needed the money, concept and creators to get your book out the door. Luckily in 1978, there was a comic to tell you all about the process!

How To Start A Comic Book Empire by Don Rico presents us with an entrepreneur who comes across a newsstand selling comics to customers of all ages; looking to jump into the action, he receives tips on comic book production from “real life superhero” Captain Free Enterprise. They then go on a Scrooge-esque tour to different parts of the comic book fandom, hovering over San Diego Comic-Con, an art studio, and finally the print room. As for the comic itself, the art is serviceable and in line with most seventies comics; the writing, while somewhat corny, gets its point across well enough for everyone to understand what’s going on and why.

Comic books cost about $8,000 to make in 1978. While it was recommended to go with a monster book to draw in new readers, I don’t know if the same advice would apply today, but if it did I would do vampires.  With a comic book priced at $2 an issue (which would probably be $3.99 today), after advertising income ($200 per page), printing costs, and editorial, you’d theoretically make about $14,000 on one issue. Does this still apply today? Probably not, but it might be somewhat compatible if sales are decent. Sadly, Captain Free Enterprise does not come with the profits, unless you get somebody to dress up as him.

(via CO2 Comics Blog)

New York Comic Con Goings On

Friday, October 8th, 2010

Just a friendly reminder that I’ll be set up at New York Comic Con in the Podcast Arena, along with a bunch of my fellow podcasters, such as Comic Geek Speak, Raging Bullets and Indie Spinner Rack. My booth number is 524, so if you’d like to stop on by and talk some comics, pimp your book, or simply say hello, I’ll be there all day Friday and Saturday.

Also, on Friday, I’ll be participating in A Geek’s Guide to Podcasting and Blogging at 6:30PM in Room 1A17. It’s going a general discussion on podcasting with a bit of blogging thrown in for good measure, so if you have any questions or would like to learn a bit more about things, give it a shot. Finally, earlier in the day at 4:45 there’s Anime Parliament ®, which is run by a buddy of ours. It involves anime characters putting other anime characters on trial. Hilarity ensues. Thus concludes the advertising portion of the evening.