Posts Tagged ‘conventions’

New York Comic Con Goings On

Friday, October 8th, 2010

Just a friendly reminder that I’ll be set up at New York Comic Con in the Podcast Arena, along with a bunch of my fellow podcasters, such as Comic Geek Speak, Raging Bullets and Indie Spinner Rack. My booth number is 524, so if you’d like to stop on by and talk some comics, pimp your book, or simply say hello, I’ll be there all day Friday and Saturday.

Also, on Friday, I’ll be participating in A Geek’s Guide to Podcasting and Blogging at 6:30PM in Room 1A17. It’s going a general discussion on podcasting with a bit of blogging thrown in for good measure, so if you have any questions or would like to learn a bit more about things, give it a shot. Finally, earlier in the day at 4:45 there’s Anime Parliament ®, which is run by a buddy of ours. It involves anime characters putting other anime characters on trial. Hilarity ensues. Thus concludes the advertising portion of the evening.

Big Apple, not New York

Tuesday, October 5th, 2010

There’s been a lot of confusion in the New York area lately; when you say “Comic Con,” do you mean New York or Big Apple?

Aren’t they the same thing?

No.

Big Apple Comic Con is kind of a long-standing, low-rent stalwart, a biannual collection of dealers housed in an empty church or on a pier or like this year’s edition, at the Penn Plaza Pavilion. It wasn’t anything spectacular—maybe a special guest or two signing autographs—but it was what it was, a place to pick up back issues at low cost and a lot of other media product, like toys and posters, at possibly inflated cost. A standard convention mix, though I’d be hard-pressed to call it a proper “convention” despite the name; it wasn’t really a social event.

New York Comic Con is a lot newer, and it started out with grand ambitions—to be an East Coast Comic-Con International. They rented out the Jacob Javits Convention Center, filled out the programming slate with tons of programming, and got lots of major companies from various media to exhibit in their “exhibition hall.” And for the most part, it’s worked—the first year broke fire codes and led to a near-riot outside the convention center as people who had pre-registered and people who had not tried to crowd their way into the at-fire-capacity building.

When things started to get really interesting is when Wizard World decided to expand its convention empire to New York City. They had decent success running conventions in Chicago and Philadelphia, buying already-existing conventions in those cities and re-branding them with the “Wizard World” name. Gareb Shamus has been on a real tear lately, buying up shows across the country in places like Connecticut, New Jersey, Nashville, and Cleveland.

When Wizard bought Big Apple Comic Con, it promised to lend a new veneer of respectability to the show. The location was moved to a larger venue at Pier 94, the guest lineup was expanded greatly, and actual programming was added, taking a wider view on pop culture. Last year’s edition might have had its bumps, including bad weather, a hard-to-reach location, and a slate of guests that really only appealed to a small subsection of fandom, but it wasn’t outright bad. At the least, the shopping selection was good, with aisles and aisles of back issue bins at fantastic prices.

What did the greatest service to last year’s Big Apple was that New York Comic Con was in state of dormancy, with 19 months to wait between their last convention in February 2009 and this coming weekend in October 2010. Not only was there no competition, but there was actually a need for something to keep fans occupied in the interim. But then came the shocking announcement, listed on the Big Apple Comic Con program book: the 2010 show was scheduled for the same weekend as New York Comic Con #5. Everyone was stunned, as it was kind of obvious which convention would win the big showdown. Eventually Wizard blinked, and a new date was announced, along with a new location.

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Out and About: New York Comic Con 2010

Monday, September 27th, 2010

The New York Comic Con schedule is up, and while it’s a little light on events dealing specifically with nonfiction comics this year, there are a few points of interest:

Rationalizing Comics and Sequential Art in the Classroom
Friday, October 8
3:15 pm – 4:15 pm

This workshop will feature educators discussing their reasons for bringing comics/sequential art into the classroom, focusing on both reading and generating comics. Practical suggestions, along with evidence illustrating student learning, is discussed. Participants will be encouraged to bring ideas for discussion in small groups.

Extending Conversations about Graphic Novels
Friday, October 8
4:15 pm – 5:15 pm

Educators will discuss how to use graphic novels to extend learning beyond literal comprehension, including engaging in critical literacy activities. Social studies, art, and English/language arts educators will be paired to discuss how to make cross-curricular conversations and move students’ understandings beyond the classroom. Participants will engage in an activity which pushes them to think beyond the confines of the classroom walls.

Remembering Harvey Pekar
Friday, October 8
4:30 pm – 5:30 pm

After 35 years of innovating in—having virtually invented—the personal comics genre with his American Splendor series, Cleveland’s Harvey Pekar died this past July, in the middle of several projects finished and unfinished. This panel celebrates Pekar’s life and work. It includes Harvey’s editor on The Pekar Project, Jeff Newelt; artist on Harvey’s The Quitter and other works, Dean Haspiel; Peter Kuper, who not only has drawn for Harvey, but as a comics-loving kid in Cleveland, spent much time hanging out and learning from him; and Rick Parker, an artist on The Pekar Project. The panel is moderated by Danny Fingeroth, who memorably interviewed Harvey at The YIVO Institute in 2009, and wrote of Harvey’s importance in The Rough Guide to Graphic Novels. Some surprise last minute guests may appear on the panel, as well.

Comics and Graphic Novels in the Secondary English/Language Arts Classroom
Saturday, October 9
12:00 pm – 1:00 pm

Educators who utilize texts in the secondary English/language arts curriculum will discuss practical ideas for including particular graphic novels in the classroom. In particular, educators will discuss how to embed graphic novels in the traditional curriculum by connecting graphic novels/comics with canonical texts and helping students create their own texts. Educators will think through criteria they can create to evaluate appropriate gns for curricular adoption.

Political Cartoonists
Saturday, October 9
5:15 pm – 6:15 pm

Join some of the best, current political cartoonists!

Unusual Manga Genres
Saturday, October 9
8:45 pm – 9:45 pm

Thanks to the importing of manga you can read veterinarian manga, salaryman manga, fishing manga, and manga about baking bread! Erin and Noah from the Ninja Consultant podcast present the absolutely most insane manga titles available in English – and a few titles which won’t be translated anytime soon.

The Sons of Liberty, a Graphic Novel: The New World of Historical Fiction
Sunday, October 10
11:00 am – 12:00 pm

The Sons of Liberty, a new graphic-novel quartet for middle grade readers and beyond tells the story of two young slaves in the wake of the Revolutionary War. History is brought to life in full color by the illustration of Marvel Comics veteran Steve Walker and Oren Kramek. Join authors Alexander Lagos and Joseph Lagos and illustrators Steve Walker and Oren Kramek in conversation about the creation of this new series.

Culinary Manga
Sunday, October 10
1:45 pm – 2:45 pm

Competitive bread baking manga Yakitate!! Japan is just the tip of the culinary manga iceberg in Japan! Join Erin and Noah of the Ninja Consultant podcast as they discuss manga about gourmet food critics (Oishinbo), pastry chef manga (Antique Bakery), and several series about wine (Drops of God, La Sommelier).

In addition, you’ll be able to see Ian (and his friends) talk about podcasting and blogging at the…podcasting and blogging panel. Check it:

A Geek’s Guide to Podcasting and Blogging
Friday, October 8
6:30 pm – 7:30 pm
Room 1A17

This panel is designed to show how to start and promote your very own podcast. The world of podcasting has grown by leaps and bounds over the last five years and many people do not have a clear guide on how to podcast. This panel will walk you steps of podcasting and give advice on all aspects of having your own show.

You’ll find Ian at the Comic Timing booth (table 524) in Podcast Alley on Friday and Saturday (near the events stage), while I’ll be mostly wandering the floor and panels for those two days. We’ll both be absent on Sunday due to a prior personal engagement.

Reading in the Rain

Tuesday, September 14th, 2010

Despite the rain, a decent crowd turned out for the Brooklyn Book Festival, filling up the indoor spaces but still staking out spots for outdoor events like the talk with Sarah Silverman and even the graphic novel panels. The “International Graphic Novel” panel also had a special guest in form of a crazy lady who started shouting at the stage, though due to the crowds and weather it was hard for us in the audience to make out what she was saying, but Jessica Abel did her best on stage to hear the woman out.

The “Cabaret BBF Style” I mentioned was a bit of a bust; while I wondered whether they meant “comic” as in funny or as in the medium, it turned out to be neither. Perhaps the lack of a crowd in front of the Main Stage threw off their nerve a bit.

More enjoyable was the “Finding the Funny: The Humor of the Everyday” panel, which took place inside the Borough Hall Courtroom and featured John Hodgman, Sloane Crosley, Kristen Schaal, and Rich Blomquist. It really has nothing to do with comics, but I mention it so that you don’t think we were totally down on the festival.

Further images below the cut.

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Out and About: September 11-12, 2010

Friday, September 10th, 2010

Tomorrow begins Small Press Expo 2010 in Bethesda, Maryland. Guests include Dean Haspiel (Billy Dogma) and Raina Telgemeier (Smile). In addition to shopping the floor, events of interest on the schedule:

Sunday, September 12

Autobiography in Pieces

3:00 | Brookside Conference Room

How do you tell the story of a life that’s still in progress? Is “story” even the right way to think about it? How do you winnow down the manifold details and data of your life? Cartoonists Sarah BecanGabrielle BellVanessa Davis, and Jesse Reklaw will discuss alternatives to the memoir with moderator Isaac Cates.

R. Sikoryak: Adaptation and Parody

3:30 | White Flint Amphitheater

Comics chameleon R. Sikoryak inventively adapts canonical Western literature using the visual styles and characters of historical American comic books and comic strips. These works have been collected in his 2009 book Masterpiece Comics (Drawn and Quarterly). Sikoryak will reveal his intensive working process and will discuss the history of parody and adaptation in comics in a discussion with Bill Kartalopoulos, curator of the recent exhibit  “R. Sikoryak: How Classics and Cartoons Collide.”

The show is open from 11am to 7pm on Saturday, and from 12 noon to 6pm on Sunday at the Bethesda North Marriott Hotel & Conference Center.

On a more local scale, the Brooklyn Book Festival takes place this Sunday from 10am to 6pm at Brooklyn Borough Hall. Vendors include Drawn & QuarterlyNot For Tourists, PictureBox, and For Beginners. Events of interest include:

2:00 P.M.

The International Graphic Novel: Drawing from Life. Three acclaimed cartoonists, whose work takes on social and political themes, talk about the on-the-ground research and background work they have all done in preparation for creating their books. Featuring author Nick Abadzis (Laika), Josh Neufeld (A.D.), and Jessica Abel (La Perdida). Moderated by Matt Madden (Drawing Words and Writing Pictures).

INTERNATIONAL STAGE

Youth Workshops at the Workshop Tent
(next to the Youth Stoop)
Workshops are first come, first served and limited to 12 participants

3:00 P.M.

The Comic Book Project presents When Commas Meet Kryptonite with Michael Bitz, Director of the Center for Educational Pathways. Join us to dream, design, and draft an original comic book. Transform ideas to ink and star in your own superhero story! (Ages 8-16).

Sam Anderson (New York Magazine) and David Rees (Get Your War On) are also doing a “comic” presentation as part of “Cabaret BBF Style” at 4pm but it is unclear whether they mean comic as in funny, or comic as in the medium. (With David Rees involved, hopefully it’s both.)

He Has a PHD at Attending Comic-Con

Thursday, August 26th, 2010

Going with the Comic-Con theme one more time, we turn to Jorge Cham and PHD Comics, his thrice-weekly web comic all about life in grad school. Last year, Jorge had the pleasure of attending San Diego Comic-Con for the first time, both as an artist and as a student. To honor this year’s SDCC, Jorge decided to chronicle his experience at last year’s show as a comic.

Through this three part comic, readers get to learn more about Comic-Con, and some of the panels that make up its scheduling block.  For instance, I had no idea that the Comics Arts Conference portion of the con even existed, and I’ve been there twice.  The CAC is meant for students and educators to present lectures and sessions based around comics—comic art, characters, readers and so on.  Of course, it’s open to comic book professionals as well, so that they can share their experiences and stories only they could pass along.

At Comic-Con, Jorge learned that there are plenty of students and educators that attend Comic-Con, not only for the CAC, but also as a way to interact with their peers and to escape college, work, and life for a while. Even as SDCC gets bigger and bigger, it is still a way for comic fans to socialize with friends and strangers that share common interests, and maybe even start some lifelong relationships to be rekindled each year at the next convention.

And yes, even at an academic panel, geeks remain geeks. I mean come on, it’s Nerd Prom! Get your cosplay on and your notebook in hand and take some notes, and make the con your own. If you’re more of an academic, do the academic thing. You like movies? Do movies (don’t stab anybody over a seat, though)! TV, comics, video games? Covered. If you need help figuring out how a convention works for you, take this and the other comics as examples, and roll with it.

Comic-Con Comics

Saturday, August 21st, 2010

We’re a few weeks removed from Comic-Con International, but there’s still a few things to talk about. Namely, the reaction to said Comic-Con. I won’t bore you with the wrap-ups you’ve probably read five times already on all the comic news sites. Instead, let’s take a look at some first-hand accounts of what went down at San Diego from behind the booth. Thanks to The Beat, here’s a few strips that give us some unique views from the floor.

The food of San Diego appeared to be a going theme this year, as both Jillian Tamaki, author of Indoor Voice, and Gabrielle Bell, creator of Lucky, were not impressed with their attempts at obtaining Mexican cuisine. From personal experience in San Diego, the Gaslamp District is mostly tourist country. You’re not going to find too many hole-in-the-wall places in the area around the Convention Center, which is traditionally where I’ve found the best Mexican food in every city I have visited. Other than the burrito woes, Jillian goes into her concerns coming into SDCC in her comic.

She was worried it wouldn’t be her crowd, that the noise and volume of attendees would become a major issue for her. Instead, both her and her dude Sam embraced the con with little adjustment necessary. Cosplay won them over, as did the ever-alluring joy of being stopped to have a picture taken of you. Best of all, they even partook in the pitcher full of dice! Okay, they did not buy a pitcher, but they did buy dice.

While Julian chose to go the one page summary route for her Comic-Con wrap-up, Gabrielle Bell’s wrap is still ongoing as of my typing this entry. Three parts have been posted, with Part One acting more as a prologue to Gabrielle’s experience at this particular Comic-Con. Unlike the last time she was there, this time her and her guest were given the royal treatment: comped accommodations at the Hard Rock, $50 per person for food, and passes to the con. Making it their mission to spend all $100 each night, they ate in style, and even got their party on a few times. The personality and humor is ever-present in these strips, and I hope they are eventually collected into either a mini- or full-sized comic at some point. Plus, it helps that the art is very expressive, even in its minimalism.

For a tweet-style we turn to Dylan Meconis, who actually sketched her full week at Comic-Con into one sketchbook. Nothing complicated here, just one panel strips with quick punchlines, probably sketched right after the thought arose or the even occurred. And yes, I do agree that Galactus hats are quite awesome. There are about 20 sketches on Dylan’s Flickr site, ranging from events at panels to being mistaken for your neighbor while behind the booth. They’re a quick read, so I’d recommend just chain-smoking them all when you get the chance.

Finally, we have Keith Knight of K Chronicles, who not only was invited to Comic-Con as a guest, but also ran a few panels and won an Inkpot Award while he was at it! And to complete the food pyramid, experienced the joy of San Diego lobster rolls, Boston-style, thanks to a reader of his. Even from the looks of how he drew this lobster roll, my mouth is now watering. Still, I wonder if he tried any burritos while he was at the con?

Adult Swim Guide to Comics

Tuesday, February 24th, 2009

Some of the amenities of New York Comic Con 2009 were sponsored; for example, the press room was sponsored by Sherrilyn Kenyon, and they had free bags, books, and fortune cookies available for the taking. The shuttle buses that transported attendees between the convention center and hotels/train stations were sponsored by Adult Swim, and they certainly made that fact clear with their own unique branding (more images after the break):

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Telling A Story With Imagined Pictures

Sunday, February 22nd, 2009

The New York Comic Con was held at the Jacob Javits Center this past February 6–8, and with the number of TV, movie, and video game panels/booths available it’s quickly starting to rival the San Diego Comic-Con in size and scope, though it still lacks the prestige and probably will so for years to come. They’ve had trouble nailing down a date for their first four years, and the next installment will take place in October of 2010, a date they assure us will be steady for the next few years.

Buried in amongst the industry panels and Hollywood premieres were a few nuggets of intellectual or artistic goodness; there was a panel on “Asians and Superheroes” that talked about the role of Asian characters in general in superhero comics, promoting a new anthology that comes out in April featuring the work of numerous creators like Bernard Chang and Gene Luen Yang.

Saturday saw an actual nonfiction comics panel called “Telling a Story With Imagined Pictures,” featuring various panelists who worked on nonfiction narratives for publishers like First Second and Random House. Present at the panel were:

They answered a lot of questions about the creative process, especially the research involved in depicting real events. Both Crowley and Dawson noted it was difficult depicting events that people would have their own memories of. A lot of fact-checking was involved; Jones studied dancing and old travel guides to get the visual look of the book right, and she later had her dance drawings fact-checked to make sure they were correct. O’Connor had a different problem in that photo-reference wasn’t available for his subjects. He mentioned that the book has a whole scene depicting Mohawk armor, except that no visual records existed of the armor for him to accurately depict it. Instead, he had to rely on the cartoony visual style of the book to cover up the specifics of the armor.

When asked about the editorial process for graphic novels, all agreed that their editors have been largely hands-off, and speculated that it might be due to the newness of major publishers (like Random House) to the graphic novel scene.