Posts Tagged ‘publishing’

Captain Free Enterprise, How Do I Make A Comic?

Wednesday, October 13th, 2010

The 1970s were a simpler time for comic books; before digital coloring, Internet message boards and digital/print simultaneous release, there was just writing, drawing, printing, and distribution. This allowed independent comic creators to put their content out into the marketplace, even before comic shops were the normal place to stop to pick up your weeklies. Still, you needed the money, concept and creators to get your book out the door. Luckily in 1978, there was a comic to tell you all about the process!

How To Start A Comic Book Empire by Don Rico presents us with an entrepreneur who comes across a newsstand selling comics to customers of all ages; looking to jump into the action, he receives tips on comic book production from “real life superhero” Captain Free Enterprise. They then go on a Scrooge-esque tour to different parts of the comic book fandom, hovering over San Diego Comic-Con, an art studio, and finally the print room. As for the comic itself, the art is serviceable and in line with most seventies comics; the writing, while somewhat corny, gets its point across well enough for everyone to understand what’s going on and why.

Comic books cost about $8,000 to make in 1978. While it was recommended to go with a monster book to draw in new readers, I don’t know if the same advice would apply today, but if it did I would do vampires.  With a comic book priced at $2 an issue (which would probably be $3.99 today), after advertising income ($200 per page), printing costs, and editorial, you’d theoretically make about $14,000 on one issue. Does this still apply today? Probably not, but it might be somewhat compatible if sales are decent. Sadly, Captain Free Enterprise does not come with the profits, unless you get somebody to dress up as him.

(via CO2 Comics Blog)

Telling A Story With Imagined Pictures

Sunday, February 22nd, 2009

The New York Comic Con was held at the Jacob Javits Center this past February 6–8, and with the number of TV, movie, and video game panels/booths available it’s quickly starting to rival the San Diego Comic-Con in size and scope, though it still lacks the prestige and probably will so for years to come. They’ve had trouble nailing down a date for their first four years, and the next installment will take place in October of 2010, a date they assure us will be steady for the next few years.

Buried in amongst the industry panels and Hollywood premieres were a few nuggets of intellectual or artistic goodness; there was a panel on “Asians and Superheroes” that talked about the role of Asian characters in general in superhero comics, promoting a new anthology that comes out in April featuring the work of numerous creators like Bernard Chang and Gene Luen Yang.

Saturday saw an actual nonfiction comics panel called “Telling a Story With Imagined Pictures,” featuring various panelists who worked on nonfiction narratives for publishers like First Second and Random House. Present at the panel were:

They answered a lot of questions about the creative process, especially the research involved in depicting real events. Both Crowley and Dawson noted it was difficult depicting events that people would have their own memories of. A lot of fact-checking was involved; Jones studied dancing and old travel guides to get the visual look of the book right, and she later had her dance drawings fact-checked to make sure they were correct. O’Connor had a different problem in that photo-reference wasn’t available for his subjects. He mentioned that the book has a whole scene depicting Mohawk armor, except that no visual records existed of the armor for him to accurately depict it. Instead, he had to rely on the cartoony visual style of the book to cover up the specifics of the armor.

When asked about the editorial process for graphic novels, all agreed that their editors have been largely hands-off, and speculated that it might be due to the newness of major publishers (like Random House) to the graphic novel scene.